This collection focuses on a life-size, hand-cut silhouette representing Flora (1777–1815), a woman who was enslaved in Connecticut, and the bill of sale that transferred her ownership on December 13, 1796, when she was nineteen years old. Her life story invites us to consider the period from the American Revolution to the close of the War of 1812 from a rarely considered perspective—that of an enslaved woman. Flora is emblematic of vast numbers of enslaved women whose likenesses and histories have gone unrecorded.

Her silhouette was traced at life-size directly from her cast shadow, lending a tangible sense of human presence to her portrait. But who made it? And for what purpose? We will explore these questions through consideration of the few facts known about Flora's life; the regional differences that distinguished the experiences of enslaved women in the North and in the South; the social conventions of silhouette-making; and the history of representing African American women in late eighteenth and nineteenth-century American portraiture.

This project received support from the Smithsonian American Women's History Initiative.

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